reDesigning Affect Space #1: Like Space, Berlin February 2 – 4, 2018

A masterclass by Dutch artists Esther Polak and Ivar van Bekkum in Berlin (February 2 – 4, 2018) marks the start of a new international design theory, practice and research project initiated and coordinated by the Cool Mediators Foundation, titled reDesigning Affect Space. This project follows on from the Technology / Affect / Space public research project conducted by Eric Kluitenberg and Open! – Platform for Art, Culture & the Public Domain, in 2016.

Below is more information on the masterclass and its context.

reDesigning Affect Space #1: Like Space
Masterclass by Esther Polak & Ivar van Bekkum in cooperation with Hybrid Space Lab.
Berlin, February 2 – 4, 2018.

“Like Space” is a research by Hybrid Space Lab on the emotional and affective dimensions of hybrid (combined physical and media) space.

In their work, Esther Polak and Ivar van Bekkum (PolakVanBekkum) are investigating mobility and the (urban) landscape. In recent years they have explored the possibilities of location-specific binaural sound recordings. To enter a physical identification with mobilities and moving objects, they connected their recording equipment to those objects, instead of the human head.

To radicalise this work method in scale, PolakVanBekkum proposes to apply it to a building. As a result, one ear would hear the eastern side of a building, while the other ear would hear the western side.

During the workshop we are going to find out together what spatial listening could be. We want to end with listening as a building, but to get there we have to start listening over greater distances: with our ears one meter apart, 2 meters, 5 meters, 20 meters. As if we are enlarging our heads. We will achieve this by using mics and extension cables or phones and live streams. Input on any level, from architectural point of view to sound or digital is heartily welcomed!

At the end of the workshop, we will expose two buildings to this experiment of sound recording and “deep listening.” In consultation with Elizabeth Sikiaridi and Frans Vogelaar (Hybrid Space Lab), Esther and Ivar chose Haus der Kulturen der Welt (HKW) and the reconstruction of Berliner Stadtschloss. (This building, located at the Unter den Linden, will in future house the Humboldt Forum).

In the workshop, the following questions will be addressed: If we can bodily identify with objects and buildings, what kind of corporal knowledge do we acquire? Can we approach the urban landscape from this position with a different view, or rather a different ear, so that the differences and similarities between the two locations can be experienced? We are thinking of contemporary positions such as a flaneur in the form of (mass-) tourism, or the utilitarian user of the city, the accidental passer-by? And what is the influence of mobile technologies on this experience?

Context:

This masterclass is part of ‘reDesigning Affect Space’, an international design- theory, practice, and research project initiated by lead-researcher Eric Kluitenberg, which consists of a series of masterclasses and conferences in Berlin, Madrid, Rotterdam and The Hague. The project aims to develop a more differentiated design agenda for the increasingly dense connections between public space, mobile media, and wireless networks, and the shift to affective relations in public space that results from this densification.

Links:
binaural recordings of moving objects:
car recording https://vimeo.com/136873473
vorkheftruck recording https://vimeo.com/138551393
caterpillar recording https://vimeo.com/137422115
trolley recording https://vimeo.com/138643907

PolakVanBekkum:
www.polakvanbekkum.com

Essay reDesigning Affect Space (Open! Platform for Art, Culture & the Public Domain):
www.onlineopen.org/re-designing-affect-space

Dates:
Workshop: Friday & Saturday February 2 & 3, 2018
Location: tba.
Panel discussion @ Transmediale: Sunday February 4, 13.30 – 15.00
Location: Haus der Kulturen der Welt

Workshop3 Workshop1 Workshop2

reDesigning Affect Space is generously supported by the Netherlands Creative Industries Fund.